David: An art movie, a drug movie, Nicolas Roeg’s directing debut, a Mick Jagger acting debut, a late, post-swinging 60′s bohemian manifesto, but underpinning all that one of the best British gangster flicks around. It features a foulmouthed, thuggish, head kicking turn by the erstwhile toffee nosed James Fox as bovver-boy Chas. Finding himself on the run, Chas comes in for some heavy deconstruction when he chooses the dark cave of a retired rock-star recluse to lay low in. Not an atom of machismo survives. Add mushrooms and flip genre. Tasty.
Jules: The reality-distortion of fame, and its possible relation to the shamanic undercurrents of consensus reality, seem to intersect in this glimpse inside British counterculture. Cammell and Roeg expertly oversee the somehow-mythic triumvirate of Fox, Jagger, and Pallenberg in this postmodern Greek tragedy where normalised sociopathy substitutes for humanistic virtue.
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